Having not been to the Auto Show in donkey’s years, and privy to the fact that some important 007 related brands would be present, 00 Aficionado briefly re-acquainted itself with the Auto Show on Saturday January 27th, hoping to soak in the sights of Aston Martins, Bentleys, Lotus’, Lamborghinis and the like.
Hello again. I want to start by apologizing for the paltry contributions in October. It was a remarkably busy month with work, a bit of socializing, working on other non-Bond related projects with friends, and a written retrospective for the entire Halloween film franchise for the film website I write for. Believe me, there were … Continue reading Bond and the horror genre: spooky similarities
Part 1 in the blog’s survey of Bond’s treatment of the leading ladies concentrated on the first three actors to portray the role: Sean Connery, George Lazenby, and Roger Moore. Part 2 shall advance things from Timothy Dalton through to Daniel Craig. The first chapter in the Timothy Dalton era was unequivocally influenced by the … Continue reading Hot Topic continued: Bond’s treatment of women (Part 2)
This 2nd Hot Topic entry will concentrate on Bond’s behaviour towards some of the women he’s encountered throughout the franchise’s 53+ year history. For the sake of offering readers a manageable experience, consider this Part 1, going from Connery through Moore.
In the previous section of the DN review (insert link), the blog explored the areas in which the original film was not up to par, certainly by early 21st century standards. With those unfortunate misgivings out of the way, it’s time to get to the good stuff.
DN is the movie every single Bond fan on this planet has to be thankful towards, otherwise none of us would have started fan clubs, blogs, magazines, podcasts, or constantly exchange ideas and bicker on Twitter. And yet, Terence Young’s film is not one regularly cited as a favourite within the fan base or by cinephiles with certain proclivities towards the franchise.
While the Bond series purports none of the thematic cynicism that so many noir entries of the classical period embraced, there is one unmistakable ingredient that has permeated, at least occasionally, in the 007 films. The ‘femme fatale.’